On This Episode: Kevin welcomes Aaron Dean,Rachelle from Dallas and Merrill from TheFilmStage.com to talk about the turkeys they all live-tweeted during the month of November.
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On This Episode: Kevin welcomes special guests Mel Valentin and Robert Fure to discuss the topic that everyone is debating: Who Blows Shit Up Better, Roland Emmerich or Michael Bay?
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On November 15, Kevin was joined by @FyodorFish, @Regi_S, @AronDej, @VouxCroux, @carcarr819 and @Stellar143 to live-tweet Roland Emmerich’s reimagining of Godzilla. Here’s a log, complete with time-code for your home-viewing pleasure.
Fat Guy Kevin Carr rolled into the FOX 28 studios in Columbus, Ohio for a weekly movie review segment. This week, he talked about 2012 and Pirate Radio.
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Rated PG-13
Opens: November 13, 2009
Studio: Columbia Pictures
Starring: John Cusack, Amanda Peet, Chiwetel Ejiofor, Thandie Newton, Oliver Platt, Woody Harrelson and Danny Glover
Directed by: Roland Emmerich
Kevin says 2012 ROCKS!
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Read Kevin’s review of 2012 here.
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Fat Guys at the Movies is the official podcast of Film School Rejects
On This Week’s Show: Kevin and Neil meet up in the Magical Studio in the Sky for an epic show about the end of the world. They gush (sort of) over Roland Emmerich’s movies and dance a jig around how awesome Fantastic Mr. [...]
Neil Miller is the Publisher and Executive Editor of Film School Rejects. He currently resides in Austin, TX where he is a member of the Austin Film Critics Association and regular contributor to six local radio stations. He has also written for CNN.com, Blogcritics and appeared as a guest on G4's Attack of the Show. Despite his newfound location, he still celebrates the filmography of Michael Bay, jumps like crazy during scary movies and has swirling rumors about his romantic links to many of the world's great beauties. He also has not changed his position on Kevin Carr's awful taste in movies. 
Kevin Carr crawled from the primordial ooze in the 1970s. He grew up watching movies to the point of irritation for his friends. He was a font of useless movie knowledge until he decided to put that knowledge to good use. He is now a professional film critic read worldwide, much to the chagrin of Michael Bay.