Kevin Tweets About ‘Emma’
In a bizarre twist of fate, I’m going to be watching not one, but two Jane Austen movies… beginning with the BBC’s EMMA. #kevinemma
The best part about the BBC’s EMMA… Gwenyth Paltrow is nowhere near this production. #kevinemma
Most people miss the point of Jane Austen’s EMMA. It is all about the awesomeness of cake. #kevinemma
Emma is like the Rush Limbaugh of Victorian England… if you replace politics with love. But Emma is much, much cuter. #kevinemma
@kamilah Yup. And I’m also embarrassed to admit that the only other thing I’ve seen her star in was DIRTY DANCING HAVANA NIGHTS. #kevinemma
Johnny Lee Miller doesn’t come off nearly as cheesy in his natural accent. Proof: BBC’s EMMA and TRAINSPOTTING. #kevinemma
@carcarr819 & I think EMMA would be much shorter if they used modern speech. A simple “Shut the fuck up” would speed things up. #kevinemma
“Men of sense do not want silly wives.” – Mr. Knightly, EMMA. [I’m not about to point this out to @carcarr819] #kevinemma
@kamilah I’m actually going to be watching ATONEMENT later today with @Stellar143. I forgot she was in that. #kevinemma
There’s a lot of speculation around this piano forte. I, for one, am shocked at how tawdry the gift of a piano forte is. #kevinemma
We’re at half-time of BBC’s EMMA (yes, that was a football term, folks!). I think I might try to shovel the driveway for a break. #kevinemma
Continuing with the second half of the BBC miniseries EMMA. Still not caring about the Super Bowl. #kevinemma
And there’s that piano forte again. I think it’s symbolic of something very raunchy… at least I’d like to think so… #kevinemma
The BBC’s EMMA has superb cinematography, great costumes, fine acting… but the hats are redonkulous. #kevinemma
Clearly, Jane Austen had it in for the gypsies. #kevinemma
This miniseries would reach full awesomeness if George Michael suddenly appeared for a song and dance number with Knightly. #kevinemma
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Tags: Emma, Gwenyth Paltrow, Jane Austen, Johnny Lee Miller, Romola Garai
Neil Miller is the Publisher and Executive Editor of 
Kevin Carr crawled from the primordial ooze in the 1970s. He grew up watching movies to the point of irritation for his friends. He was a font of useless movie knowledge until he decided to put that knowledge to good use. He is now a professional film critic read worldwide, much to the chagrin of Michael Bay.